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FISHERMEN S HARBOR 
BY THOMAS GIRTIN 


[NUMBER 59 | 


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= _ INCLUDING EXAMPLES BY TWACHTMAN 
k te Hd RYDER, DUVENECK, MONET 
_  ‘& THAT RARE ENGLISH MASTER 
iE. | i THOMAS GIRTIN 
| FROM THE COLLECTIONS OF 
“THE FOLLOWING OWNERS & ESTATES 
THE ‘HANOVER CLUB Mrs. C. S. BOKER 
: BROOKLYN, N. Y. | _ SEABRIGHT, N. J. 
TO BESOLD BY ORDEROF ——~™ TO BE SOLD BY HER ORDER 
i Jes p- ogeabmn McCARTHY 
Mr. LOUIS D D’ARAS Mrs.GERTRUDE M.SMITH 
~NEW YORK STATEN ISLAND 
_ TO BE SOLD BY HIS ORDER TO BE SOLD BY HER ORDER 
THE LATE Ae THE LATE 
JULIA CHESTER WELLS» HELEN BOYD DULL 
NEW YORK 7 HARRISBURG, PA. 
‘TO BE SOLD BY ORDER OF _ TO BE SOLD BY ORDER OF 
3 THE HEIRS THE HEIRS 
THE LATE THE LATE 
H. ALLOWAY WILMOT L. WARREN 
7 GOSHEN, N. Y. SPRINGFIELD, MASS. 
TO BE SOLD BY ORDER OF TO BE SOLD BY ORDER OF 
THE HEIRS THE HEIRS 


TO BE SOLD BY AUCTION 
THURSDAY EVENING, MARCH FIFTH 
AT EIGHT-FIFTEEN O’CLOCK 


THE ANDERSON GALLERIES 
[MITCHELL KENNERLEY, Presipent| 
489 PARK AVENUE AT FIFTY-NINTH STREET, NEW YORK 


4925 


\ 
CONDITIONS OF SALE 


1. All bids to be pzx LoT as numbered in the catalogue. 


2. The highest bidder to be the buyer; in all cases of disputed bids the lot shall be resold, but the 
Auctioneer will use his judgment as to the good faith of all claims and his decision shall be fina), 
He also reserves the right to reject any fractional or nominal bid which in his judgment may delay 
or injuriously affect the sale. 


3. Buyers to give their names and addresses and to make such cash payments on account as may be 
required, in default of which the lots purchased to be resold immediately. 


4. The lots to be taken away at the buyer’s expense and risk within twenty-four hours from the 
conclusion of the sale, and the remainder of the purchase money to be absolutely paid on or before 
delivery, in default of which The Anderson Galleries, Incorporated, will not be responsible if the 
lot or lots be lost, stolen, damaged, or destroyed, but they will be left at the sole risk of the 
purchaser, and gabjece to storage charges. 


5. To prevent inaccuracy in delivery, and inconvenience in the settlement of purchases, no lot will 
be delivered during the sale. 


6. All lots will be exposed for public exhibition in The Anderson Galleries before the date of sale, 
for examination by intending purchasers, and The Anderson Galleries, Incorporated, will not be 
responsible for the correctness of the description, authenticity, genuineness, or for any defect or 
fault in or concerning any lot, and makes no warranty whatever, but will sell each Jot exactly as it 
is, WITHOUT RECOURSE. But upon receiving before the date of sale, expert opinion in writing that 
any lot is not as represented, The Anderson Galleries, Incorporated, will use every effort to furnish 
proof to the contrary, and in default of such proof the lot will be sold subject to the declaration of 
the aforesaid expert, he being liable to the owner or owners thereof for damage or injury occasioned 
by such declaration. 


7. Terms Casu. Upon failure to comply oth the above conditions any sum deposited as part 
payment shall be forfeited, and all such lots as remain uncleared after twenty-four hours from the 
conclusion of the sale, will be resold by either private or public sale at such time as The Anderson 
Galleries, Incorporated, shall determine, without further notice, and if any deficiency arises from 
such resale it shall be made good by the defaulter at this sale together with all the expenses incurred 
thereby. This condition shall be without prejudice to the right of The Anderson Galleries, Incor- 
porated, to enforce the contract with the buyer, without such re-sale. 


8. Bips. We make no charge for executing orders for our customers and use all bids competitively, 
buying at the lowest price permitted by other bids. 


g. The Anderson Galleries, Incorporated, will afford every facility for the employment of carriers 


and packers by the purchasers, but will not be responsible for any damage arising from the acts 


of such carriers and packers. 
Priced Copy of the Catalogue may be secured for One Dollar. 


THE ANDERSON GALLERIES 


INCORPORATED 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 
TELEPHONE, PLAZA 9356 -CATALOGUES ON REQUEST 
SALES CONDUCTED BY MR. F, A. CHAPMAN AND MR. A. N. BADE. 


Bi iures _ NUMBER> 
GUARDI, F, © TOU MMO MOL O A 


GUERRA , ¥ 17 
HAMMER, J. J. _ 208 
_ HERRING, J. F. _ 47A, 47B 
HESS, B. 102 
INNESS, G. , eet Ving 
ISENBRANDT fieeonesy 65 
_ ITALIAN, 17TH CENTURY 106 
JOHNSON, D. —— 28 
JONES, H. B. ag 
JORDAENS (SCHOOL) 80 
KENDALL, W. S. 87 
KOOIMAN, W... 71 
KRATKE, C. L. | 104 
LEIGHTON, S. 16 
_ LE NAIN, L. 95 
LEON Y ESCOSURA 20 
LUNA, R. 113 
MCCHESNEY, C. T. 47 
MACOMBER, M. L. 75 
MAGNUS, C. | 4! 
MARIS, T. (ATTRIBUTED ) 4IA 
MARTIN, H. D. 49 
MICHEL (ATTRIBUTED) 78 
MONET, C. 63 
MORAN, E. a5 
MURILLO (SCHOOL) 86 
MURPHY, H. D. 9 
ONDERDONK, J. 44 
PANNINI, G. P. 68 
PARTON, A. 46 
PASINI, A. 07 
PEREZ, J. 0. 18 
PERRAULT, L. B. 89 
PERRY, E. W. 24 
POLLARD, J. g5c 
POUSSIN (SCHOOL) 81 
RICCI, A. 98 
RICHET, L. 62 
RIEGER, A. 99 
RIX, J. 96 
ROELAS, J. DE LAS 85 
RYDER, A. P. 55 
SANTA CROCE, G. R. DA 64 
SARTORIUS, J. N. O5A, Q5B 
SCHENCK, A. F. A. 101 
SMEDLEY, W. T. 29 
SOMMER, 0. i 79 
STANFIELD, W. C. go 


STUART, G. (AFTER) 84 


STURGIS, J. W. 
TAIT, A..F. 
TIMMERMANS, L. 
THOMPSON, L. 
TROYON, C. 
TWACHTMAN, J. H. 
UNKNOWN 

VAN BREDAEL, P. 
VAN KUYCK, L. 

VAN MELLERT, G. 


NUMBER 
30B 

3 

14 

12 


VAN OSTADE, A. 
VOGLER 

VON BRETT, E. 
WEBSTER, T. 

WEST, B. 
WHEELER, A. 
WHISTLER, J. A. M. 


- WIGGINS, C. 


WUST, A. 
ZAMACOIS, E. 


4 
21, 45, 72, 83 


114 
26 


BUy 


-C. E. BALDWIN 


_ AMERICAN, 19TH CENTURY 


" Ry Sie au 14 Bed (2) 


* 


nover Club Collection) 


_ 


C. E. DUBOIS 


_ FRENCH, 19TH CENTURY 

we JDYLLIC LANDSCAPE 

: bs A stream with a shepherdess and ea. on ihe left bank, grey 
mountains in the distance; creamy sky with touches of blue. 
Canvas. Signed and dated 1872 at the lower right. Height, 24 
: inches; width, 17 inches. 


— 


ss ae 


ARTHUR F. TAIT, N.A. 


__ AMERICAN, 1819-1905 


3 A SUNNY SPOT IN THE PASTURE 
A group of sheep, among them two dark brown ones, are lazily 
reclining in the foreground, while another group is in the meadow 
at the right distance; sloping landscape, blue sky with grey and 
creamy cloud effect. 
Canvas. Signed and dated 1873 at the lower bis Height, 18 
inches; width, 27 inches. 
(Hanover Club Collection) 


ond a3 tS, ars. cans i te eae > 


H, AT EIGHT-FIFTEEN 


3A THE STAG HUNT nen 
A hunter restrains his dog as" he prepares to fine 
just leaping over bushes at the middle ground. 
Canvas. Signed at the lower left. Height, To incl 
inches. 


a Aye eas 


AMERICAN, 19TH CENTURY 


4 OFF NEW YORK 2 
‘View of wooded expanse interspersed with habitatio 
the distance animated with sails and other craft. ving 
Canvas. Signed and dated 1856 at the lower left. 
inches; width, 244% inches. 


(Mrs. Gertrude M. Smith Collection) 


GEORGE H. BOUGHTON, N. AL; ; R. An 


AMERICAN, 1843-1905 yee Pe 


5 A WINTER MORNING . AHR i 
Charming presentment of a Puritan maiden attired: in cape an 
fur, approaching a frozen pond, simple grey background. ne 
Gouache. Signed at the lower right. Height, 20 inches; width, 4 4 


inches. 
BENJAMIN WEST, PRA. = 
AMERICAN, 1738-1820 1 ‘eth 


6 PHBUS AND HIS CHARIOT Se ae 
Pen and ink and wash drawing. . 
Height, 13 inches; width, 184 inches. 

From the A. C, Bower Collection, New York. 


2 


PIERRE OLIVIER COOMANS 


FRENCH, 1816-1871 


ag HEAD OF AN ODALISQUE 
‘Bust of a pretty dark-eyed, blonde young woman, ‘tobias saucily 
at the spectator; wearing a jewelled hair band and a lemon-tinted 
flowered tunic, dark background. 
Panel. Signed and dated 1881 at the lower left. Height, 18 
inches; width, 14% inches. 


JACQUES RAYMOND BRASCASSAT 


- FRENCH, 1805-1867 


8 STUDY OF A COW 
A chocolate bovine stands listlessly in her stall. 

Canvas. Signed with initials at the lower left. Height, ro inches; 
width, 14 inches. 


HERMAN DUDLEY MURPHY 


CONTEMPORARY AMERICAN 


g WINDY MOONLIGHT 
Effective sky in deep greenish-grey tones with a burst of light 
midway, expanse of dark mainland to balance the composition. 

_ Canvas. Monogrammed at the lower left. Height, 25 inches; 
width, 30 inches. 
From a private collector, who purchased it from the artist. 


FRANK BOGGS 


CONTEMPORARY AMERICAN 


10 NOTRE DAME 
Expanse of quay in the foreground with boats, teams and figures, 
the Seine at middle distance with the silhouette of the cathedral 
towering over a grey and cream-colored sky. 
Canvas. Signed and dated 1900 at the lower left. Height, 9% 
inches; width, 14 inches. 


I2 


13 


_ Canvas. Signed and dated 1885 on the wall at the righty Height, y 


14 


3 of Strath Glass mountains at the Wah touches Ke 


_ 


late afternoon sky with grey clouds at the top. 
Canvas. Signed at the lower left. Height, 18 inches 
inches. 


AMERICAN, 1840-1896 


COAST GUARD’S HOME ee 
A quaint cottage near the shore, with figures aad hors 
while a fine lifeboat is beached at the left; blue = ” 
cloud effect. | 
Canvas. Signed and dated 1893 at the lower ghee Height 

inches; width, 27 inches. = 


FRANCOIS SAINT BONVIN 


FRENCH, 1817-1888 


LE PETIT SAVOYARD _— 
A youth kneeling beside a wall counting his pennies, 


81% inches; width, 11 inches. 
From Messrs. Durand-Ruel. 


L. TIMMERMANS 


FRENCH, 19TH CENTURY 


PORT DE LANNION | 
A quay with sailing vessels at the left, church and houses on the 
opposite bank, bridge in the distance, small craft about ; the moon 
rising in a somewhat clouded sky. a 


Panel. Signed at the lower left. Height, 12% inches; te 1 
inches. . BAe ehh 


From a private collector, 


“i Aid 


Tipo, Pane Ces th Perr Ue 
7 bed ‘ . pyres 


E. DE BERARD 


CONTEMPORARY FRENCH 


15 LANDSCAPE 
A study of a marshy expanse with a fine tree group at the middle 
distance; luminous creamy and grey sky. 
Panel. H eight, 14 inches; width, 25 inches. 


SCOTT LEIGHTON 


CON TEMPORARY ENGLISH 


16 THE STRAGGLERS 
A gentleman in riding costume stands beside his fine white horse, 
while a chestnut browses as his master signals farther back to the 
main party; undulating landscape. 
Canvas. Signed and dated 1891 at the lower left. Height, 18 
_ inches; width, 24 inches. 


GUERRA 


ITALIAN, 19TH CENTURY 


ag THE MUSIC MASTER 
_ Seated at the piano, he stops to admire the pretty hand of the 
mistress of the household, standing at his side, while the aged 
spouse is about to be attended by his barber, who has an eye to what 
is transpiring; even the little poodle shows signs of disapproval. 
Fine interior. 
Canvas. Signed and dated 1874 at the lower left. Height, 17 
inches; width, 26 inches. 


J. O. PEREZ 


CONTEMPORARY ITALIAN 


-18 ITALIAN SEAPORT | 

-. A couple of trawlers with colorful sails in the foreground, two 
fisherwomen gathering shellfish nearby, seaport in the distance with 
various craft; cloudy sky. 
Water-color. Signed at the lower left. Height, 26 inches; width, 
18% inches. 


20 


20A MOON LIGHT LAN DSCAPE — 


21 


- anches. 


>: Well tod 
= a Sw 


STUDIO INTERIOR 
A nude female model partly enveloped i in. np 
clining on a couch, while the artist’s material is 
in the foreground; studio interior. © 

Canvas. Height, 20 inches; width, ee inches. 


IGNACIO LEON Y ESCOSURA . 


SPANISH, 1834-1901 


THE DOOR OF HIS SWEETHEART 

A gentleman in rose-pink costume, holding his cane 
knocks gently at a door as he smiles at the spectator, 
Panel. Signed and dated 1869 at the lower ae 
inches; width, 52 inches. 


JOHN J. HAMMER 


AMERICAN 


crown over a sky of flaky clouds with the moon at ‘full niehey ts up. 
Canvas. Signed at the lower right. Height, 17 iacinada wae, i 
inches. ‘ 


CARLTON WIGGINS, N.A. 


CONTEMPORARY AMERICAN ae 


GOING HOME . 

Several cows followed by a woman approach the speckatae! aes 
a sandy road, bordered by green meadows; fine tree groups at the 
back; silvery grey and creamy sky with’ cloud effects. i : 
Canvas. Signed at the lower left. Height, 21 inches; width, 9 7 


Toes 
=f 


(Hanover Club Collection) 


ivy by 
4 


sf H. BOLTON JONES, N.A. 


CONTEMPORARY AMERICAN 


22 ‘THE BROOK 


ome 


24 


ie 


ak limpid stream winds through broken meadow Lindl with slight 


tree growths, in fine green and russet tints, blue distance at the 


right; pale blue sky with creamy cloud effects. 


Canvas, Signed at the lower right. Height, 16 inches; width, 24 


inches. 
aaa Club a. 


GEORGE H. -BOGERT, i‘ N.A. 


CONTEMPORARY AMERICAN 


AT LOW TIDE 


Several boats beached near the foreground, with sails in the dis- 
tance in grey relief from the hilly ridge which rises at the right and 
extends towards the horizon; luminous sky of pale emerald and 


ivory tints, with slight cloud effects and the moon at crescent, 
half way up. 
- Canvas. “ieee at the lower right. pace 34 inches; width, 48 


inches. 


ENOCH WOOD PERRY, N.A. 


AMERICAN, 1831-1915 


THE TOOL HOUSE 

A farmer is sharpening his scythe while a hen and her brood are 
entering by the open door at the right. 

Canvas. Signed and dated 1891 at the lower right, Height, 18 
inches; width, 15¥2 inches. 


(Hanover Club Collection) 


G. VAN MELLERT 

BELGIAN, 19TH CENTURY 
He fick OF THE FLOCK 
Several sheep and lambs form a nice group on a grassy plot in the 
foreground, with the shepherd and some fowl nearby; cottages and 
sheep in the right distance; blue sky with grey and creamy cloud 
effects. 


Canvas. Signed and dated 1869 at the lower right. Height, 22 
inches; width, 27 tnches. 


20 THE TRAINED MONKEY 


27 COAST SCENE 2 


28 


29 A THANKSGIVING DINNER % 


Cradled panel. Signed and dated 1864 at the lowe 


(D’Aras Collection) 


SPANISH, 1849-1971 : “4 


is seated: or standing about, valiite one od ze a 
a pet monkey ; an owl stands on the back of a chai 


13 inches; width, 16 inches. 


EDWARD MORAN, N.A. 


AMERICAN, 1829-1901 


— 


A choppy sea with rocky project in the foreground, ; | 


offing; grey sky with touches of blue animated by gulls. ms 
Water color. Signed at the lower left. H eight, ek ‘inches 
25 inches. 


DAVID JOHNSON, N.A. 


AMERICAN, 1827-1908 


VIEW IN ORAN GE COUNTY, Nig. Sl San 
Cottage at the left, figures in the foreground, fine tree at the right; ; 
flat distance; grey sky with touches of blue. a. 
Panel. Signed with monogram at the lower right. Height, 9 He | 
inches; width, 15 inches. a 
Received award at the Centennial Eahibidey 1876, Mentioned in 
Clement & Hutton’s “Artists of the Nineteenth Century”. a 
From the Estate of the late C. F. W. Meilatz, ALN, Ha 


WILLIAM T. SMEDLEY, N.A. 


AMERICAN, (?)-1920 


An old gentleman is standing at the table with clenched fist to the 
dismay of both an elderly and a young woman, who are seated at 7 
his side, while a youngish man is an interested. spectator on the 
right; fine interior. . a 
Gouache. Signed and dated 1890 at the lower left. “Height, 16 a 
inches; width, 24 inches. . ;: 
(Hanover Club Collection) ss tt * 


Br Bs o ai | ‘7 : oS: 


JASPER F. CKOPSEY, N.A. 


AMERICAN, 1823-1900. 


30 THE SUSQUEHANNA 
_ A stream in the foreground, with richly tinted tree groups on its 
banks ; undulating distance with a grey hill at the horizon; blue and 
creamy sky. 
Canvas. Signed and dated 1895 at the lower left. Height, 14 
inches; width, 24 inches. — 
(Hanover Club Collection) 


A. WHEELER 


ENGLISH, EARLY 19TH CENTURY 


30A THE MARQUIS OF WORCESTER 
Mounted on a mottled grey horse, accompanied by re hounds ; 
undulating landscape, grey and creamy sky. 
Panel. Signed at the lower left. Height, 16 inches; width, 20 
inches. 


J. W. STURGIS 


AMERICAN, 19TH CENTURY 


308 “THE BAY WILL FOLLOW SUIT” 
A grey horse has thrown his rider in making a fence, while a bay 
has cleared the obstacle; other mounted sportsmen in the distance; 
grey and buff clouds in sky with touches of blue. 
Canvas. Height, 11 inches; width, 16 inches. 


J. FOXCROFT COLE, S.A.A. 


AMERICAN, 1834-1892 


31 LANDSCAPE WITH SHEEP 
A group of sheep in the foreground, another at the left close to 
the shepherd under the shade of a tree, others grouped about in the 
distance; bluish-grey sky, with touches of pale crimson at the 
horizon, | 
Canvas. Signed at the lower left. Height, 15 inches; width, 12 
inches. 


33 


34 


loitering about a shallow pool as the maid urges them on fro 


35 


32 VENETIAN MOON LIGHT | 
Several vessels with colorful sails are arichorell 
fine silhouette of the church of Maria della Salut 


Grapes, peaches, a slice of watermelon and some otfeead together a 


left distance, and the Campanile and Doge’s Pala 
rich emerald-green sky with a mass Ae grey-bro N 
top. 2 
Canvas. Signed at the lower left. A eight, 20 inc | 
inches. a 


WILLIAM M. BROWN 

‘AMERICAN, 19TH CENTURY > 

STILL LIFE, APPLES ‘e 
Luscious red and green specimens arranged on a table; : 2 
background. hier 


Canvas. Signed at the lower left and at lower right. 
inches; width, 20 inches. | ai 


LAURENT DE BEUL 


BELGIAN, 19TH CENTURY 


WATERING PLACE Mon aie Bat: 
A brown cow and her calf together with a sheep and a goat < a at 


behind ; flat meadow with mountainous distance; uae blue sky: with } 
creamy cloud effect. Bi 


Cradled panel. Signed and dated 1864 at the lower left. ‘H eight, i 
2I inches; width, 29 inches. 
(D’Aras Collection) r 


JOACHIM BEUCKELAAER 


DUTCH, 1530-1575 


STILL LIFE, GAME AND FRUIT 


with several thrushes and robins in nice arrangement on a table; 4 
dark neutral background. | 


Canvas. Monogrammed and dated 1560 at the lower left. A a) a 
24 inches; width, 29 inches. ¥ 


10 


ne (Gates RMAC Pen eo Wa ate 7 
RL SN cael Pans ag 
eR Heian aiekk 


Ss WILLIAM GEDNEY BUNCE, N.A. 


- AMERICAN, 1840-1916 


36 VENETIAN VIEW 
Picturesque schooner with colorful sails is dibiiosea in the fore- 
ground, a small boat is putting off at its side, other craft in the 
offing; blue sky. — 
Panel. Height, 13 inches; width, 9% inches. 


WALTER GAY 


CONTEMPORARY AMERICAN 


aw THE CONNOISSEUR 
A gentleman i in pale framboise coat, black knee breeches and stock- 
ings, is seated before an easel and regards the painting thereon with 
__ more disapproval than approbation; artistic interior. 
- Panel. Signed at the lower left. Height, 10 inches; dst 8y 
inches. | | 


ENGLISH 


EARLY 19TH CENTURY 


374 POLLY | 
A brown hunter faces the left, a greyhound and a soul keep her 
company ; wooded landscape. 
Canvas. Inscribed at bottom, “Polly, favorite mare, the property 
of H. Snyder, Esq.’ Height, 25 inches; width, 30 inches. 


ENGLISH 
ae LATE 18TH CENTURY 
378 PAIR, FULL CRY AND DEATH 
Gentlemen sportsmen in red coats preceded by the hounds; in 


active pursuit, and, in at the finish. 
Canvas. Height of each, 13 inches; width, 16 iches. 


11 


39 RURAL SCENE 


M one of them, a se ne near a wooded slope at t 


40 


horizon in nice value against a pale emerald sky with warm n cloud — a 


41 


38 VENETIAN SCENE 


A fine brig with sails partly furled is at anc a 
gondola skims gracefully on the deep blue water. 
of Venice in the right distance, many sails in t 
and orange sky with the sun near the horizon. ) 
Panel. Signed at the lower right. Height, ae inches ; wic 
inches. 


A. DE KEYSER 


DUTCH, 1829-1890 : 


A number of cows grouped about the ioneeroant a im: 


ae 


with cloud effects. wa 
Panel. Signed with monogram and dated 1849 at the lower g 
Height, 13 inches; width, 18 inches. 


RALPH ALBERT BLAKELOCK, N. A. | 


AMERICAN, 1847-1919 


A CAMP + ae 
Clearing with a tent in the foreground, peaked grey hill at ‘ie ¥ 


effects. 
Academy board. Height, 7 inches; width, 4Va inches. . 


‘a 


CAMILLE MAGNUS ee 


FRENCH, 19TH CENTURY 


INTERIOR OF A WOOD ae 
Foreground in rich luminous impasto broken by a limpid pool, 
yellow grasses in the middle distance where a figure is seen, fine 
tree at the right with closely wooded distance; pale ies ay . 
with creamy and grey cloud effects. 


fence Signed at the lower left. Height, 9 7h inches ; width, h 126 ‘a 
inches. 


12 


ne ake eT he he ae eh Phos. , ley a’ a i? as es “ ™ ee “a@ Ss peas 
f a F re ~ ’ , 


ATTRIBUTED TO JACOB MARIS 


DUTCH, 1838-1899 


we THE FISHERMAN 


In a large punt, his blue coat adding a touch of color, he is in 
shallow water near the long grasses in the foreground, sail boats 
beyond, with a village and its characteristic mills indicated on the 
mainland near the horizon; fleeting grey sky with touches of blue. 
Canvas. Height, 19 inches; width, 23 inches. 


ANDREW FISHER BUNNER, A.N.A. 


AMERICAN, 1841-1897 


42 AUTUMN LANDSCAPE 


43 


A small creek bordered by colorful grasses with tree groups in rich 
red foliage; dense grove in the distance; silvery sky with touches 
of blue. 
Canvas. Signed at the lower left. Height, 22 inches; width, 32 
inches. 


JOHN W. CASILEAR, N.A. 


AMERICAN, 1811-1893 


LANDSCAPE 
Flat expanse of green and brown grasses, broken here and there by 


_ rocks, several cows about, fringed by tree growths at the left and 


distance; blue and warm with slight cloud effect. 

Canvas. Signed at the lower right. Height, 12 inches; width, 
24 inches. 

(D’ Aras Collection) 


JULIAN ONDERDONK 


AMERICAN, 1883-1923 


LANDSCAPE WITH CATTLE 
Broken expanse traversed by a stream, cattle about, fine tree 
growths in nice design, glimpse of cottage in the distance; silvery 


grey sky with touches of blue. 


Canvas. Signed illegibly at the lower right. Height, 20 inches; 
width, 24 inches. } 
(D’Aras Collection) 


13 


5 
aN 
¥ 


‘CARLETON WIGGINS, N.A. — 


CONTEMPORARY AMERICAN 


45 STORM ON THE EDGE OF THE FOREST 


The shepherd is seated with his dog beside him in a wbencieie as 
his flock slowly emerges from a wood of great trees; glimpse of a 
cottage at the left distance, deep slaty sky with a burst of silver 
light at the top. nh 

Canvas. Signed and dated 1884 at the lower left. Height, 20 
inches; width, 32 inches. | 
(D’Aras Collection) 


ARTHUR PARTON, N.A. 


AMERICAN, 1842-1914 . 


46 MORNING MIST ON LOCH LOMOND 


Rocky shore with a hut and a lonely figure at the left, the broad 


expanse of the lake at the right, with mountains rising above the 


vapor in the distance; grey sky with pale blue at the left. 


Canvas. Signed and dated 1890 at the lower left. Height, Ey any 


inches; width, 35 inches. 


CLARA T. McCHESNEY 


CONTEMPORARY AMERICAN 


47 THE OLD SPINNER 


Through a small window a humble interior is lit up, showing a 
spinner “Ageing the wheel detached in nice design ee the dark 
wall. 


inches. 
Exhibited at the National Academy in 1894 and awarded the 
Norman W. Dodge Prize. 


JOHN FREDERICK HERRING, SR. 


ENGLISH, 1795-1865 


474 MUNDIQ 


In the pad ey the jockey in. the owner’s colors, many contestants 
for the next race in the distance. 

Canvas. Signed at the lower left. Height, 26 inches; width, 40 
inches, 


14 


Canvas. Reed at the lower right. Height, 19 chee width, 25 . 


‘TO JEAN BAPTISTE COROT 


_ _ FRENCH, 1796-1875 


| Signed at the lower mai H Richt. IT peat width, 14 


‘ 
Va 
Be 


_ HOMER D. MARTIN, N.A. 


AMERICAN, 1836- 1897 


A ca stream between banks covered with fine growths that meet 
overhead, has its origin in a cascade that descends in the distance; 
autumn coloring. 

Canvas. Signed and dated 1860 at the lower left. Height, 8% 
inches; width, 6 inches. 


hehaapaaie MERRITT CHASE, N.A. 


_ AMERICAN, 1849-1916 


50 ‘THE SQUATTERS’ HOME 

An old shack amid a lot of variegated foliage on testi hilly 
ground; blue sky with slight cloud effect. 

Canvas. Signed at the lower right. onda 14 inches; width, 20 
inches. 


15 


GEORGE H. BOGERT, A.N.A. 


CONTEMPORARY AMERICAN 


51 VENETIAN SUNSET 


53 


Sails at the left in fine design, the Campanile and Doge’s Palace 
loom up at the right middle distance, with a glimpse of the Maria 
della Salute group at the left; several gondolas glide silently near 
the foreground; luminous sky, lemon-tinted, changing to warm 
grey at the horizon and on top, with the moon at crescent at the 
upper left. 

Canvas. Signed at the lower left. Height, 20 inches; width, 30 
inches. 


RALPH ALBERT BLAKELOCK, N.A. 


' AMERICAN, 1847-1919 


PORTRAIT STUDY, BLAKELOCK’S FATHER 

Bust, head and shoulders to the front, of an auburn-haired and 
long-bearded man, in dark coat with a glimpse of collar; colorfully 
toned background. 

Panel. Height, 434 inches; width, 3% inches. 

From the J. R. Stanton Collection. This painting is guaranteed as 
to artist and subject. 


GEORGE INNESS, N.A. 


AMERICAN, 1825-1894 


WALKILL VALLEY 

Expanse of country rising to the right, where several white struc- 
tures present their shining walls; a lake at the left; creamy and 
grey sky. 

Canvas. Signed at the lower left. Height, 9 inches; width, 24 
inches. 


(Collection of the late H. Alloway. Purchased at the Second 
Inness Sale) 


16 


oe 


CHRIST STILLING THE TEMPEST 
BY ALBERT PINKHAM RYDER 


[NUMBER 55 | 


JAMES ABBOTT McNEILL WHISTLER 


AMERICAN, 1834-1903 


54 THE SEINE NEAR HONFLEUR 
Expanse of smooth blue-green water with sails in fine action, dis- 
tant mainland with indication of a town; fine rolling cumulus 
clouds in pale blue and grey sky. 
Inscribed on the back “Sketch in the Estuary of the Seine between 
Havre and Honfleur”, 
Canvas. Height, 7% inches; width, 13 inches. 
From the Collection of Drouot, close friend of the artist. 


ALBERT PINKHAM RYDER, N.A. 


AMERICAN, 1847-1917 


i 55 CHRIST STILLING THE TEMPEST 
| | In a tumultuous sea a galley with a single sail to the wind directs its 
course toward the horizon, where the figure of the Saviour appears 
surrounded by an aureole of light, while the silver disc of the moon 
is half way up in an emerald sky with cumulus cloud effects. 
Cradled panel. Signed at the lower left. Size, 11% inches square. 
From a Philadelphia Collection. 
[SEE ILLUSTRATION | 


FRANK DUVENECK, N.A. 


| 
| 
AMERICAN, 1848-1919 


56 A GREY DAY NEAR VENICE +7 f 8 - 
A group of trawlers with picturesque sails, the one nearest to the 
' a spectator of a modified orange with a deeper toned cross, becalmed 


ra awwd in the foreground, while a fisherman wearing a red fez is pulling in 
y wh a net nearby. The island of San Giorgio with its looming campanile 
is at the right distance; cream-colored sky with streaks of grey 


| clouds. 
| Canvas. Monogrammed and dated 1881 at the lower right. Height, 


21¥4 inches; width, 30% inches. 
(Collection of the late Julia Chester Wells) 


17 


JOHN HENRY TWACHTMAN — 


AMERICAN, 1853-1902 


s7 HOLLAND MEADOWS 


Rich green expanse at the left with cottages and a windmill, a grove 
of trees in the distance; limpid body of water at the right, with 
several punts close to shore; grey sky. 
Cradled panel. Signed at ie lower left. Height, 11% inches; 
width, 18% inches. 
From the Estate of the Artist. 

[SEE ILLUSTRATION | 


GEORGE FULLER, A.N.A. 


AMERICAN, 1822-1884 


58 EVENTIDE 


59 


A mellow low-toned landscape with a woman leading a white and — 
grey cow along a path through a velvety meadow in the foreground ; 
wooded effect at the left and in the distance; glimpse of sky at 
the right. 

Canvas. Signed illegibly at the lower left. Hetght, II pons 
width, 14% inches, 

(D*Aras Collection) 


THOMAS GIRTIN 


ENGLISH, 1775-1902 


ae A fy, if , 
FISHERMEN’S HARBOR Wy, Gee UU 
A group of trawlers have landed their catch, their crews being 
shown bartering with the fishwives at the right, a second group of 
boats is at the left; hilly distance, while the sun rises in a luminous 
sky with fleecy clouds in delicate pinks and grey. 
Canvas. Signed at the lower right. Height, 22 inches; width, 36 
inches. 
One of the rare oil paintings by Girtin, who like Turner, Cotman, 
De Wint and Cozens was a protégé of Dr. Monro, Adelphi Terrace, 
London. Girtin died very young and Turner said of him, “If 
Girtin had lived I would have starved.” Constable said: “It was — 
Beaumont’s Girtins, more than anything else, that established his 
feet in the right road: another tribute to that great genius so early 
extinguished.” Sir George Beaumont was the prime mover in the 
establishment of the London National Gallery, and a generous 
patron of art. 

[SEE FRONTISPIECE | 


18 


HOLLAND MEADOWS 
BY JOHN HENRY TWACHTMAN 
[NUMBER 57 | 


GUSTAVE COURBET 


fee 1819-1877 


| aad: aie a ‘slight break of eu at eh i a fine birch tree 
in deep yellow foliage crosses the rompasition from lower left to 
_ the centre at the top. 
Canvas. Signed at the lower right. H Sth. 39 inches; wont 28 
_ 4nches. : : : | 


JULES DUPRE 


FRENCH, 1812-1889 


THE OLD OAKS 

Fine delineation of gnarled trees on a bank with a silvery pool in 
the foreground; a thatched cottage at the middle right in nice relief 
from a slaty sky with a burst of light near the top. _ 

ne, Canvas. Signed at the lower left. Height, 19 inches; width, 25 
inches. “Vente Dupre +£45” stamped on back. 


LEON RICHET 
FRENCH, 1847-1907 


THE FAGOT GATHERERS 

Broken ground with fine tree growths in rich foliage; a couple of 
figures lend a touch of color near the foreground, blue hill at the 
horizon; ivory and silver-tinted sky with grey clouds at the top. 
Canvas. Signed at the lower right. Height, gel inches ; width, 16 
inches. | 


yin 19 


63 


64 


65 


66 


a a 
yyy 2 
j 


CLAUDE MONET 


CONTEMPORARY FRENCH 


SUR LE FALAISE ayveyer Ba Pir 
_ Foreground covered with green and yellow grasses and shrubbery, 


blue seat at the middle distance broken by a sandy cliff at the right; 
blue sky with slight cumulus cloud effects. 
Canvas. Signed and dated 1881 at the lower left. Height, 26 


inches; width, 31 imches. | 4 
Formerly in the James F. Sutton Collection. WV- 1 f. | 4 | t )4 


(Mrs. Helen Boyd Dull Collection) 


GIROLAMO RIZO DA SANTA CROCE 


VENETIAN, ACTIVE, 1520-1549 


THE RESURRECTION 

Christ stands enveloped in a long white mantle blessing Mary 
Magdalen who kneels at the left; the sepulchre is seen in a cave at 
the right ; charming landscape with two angels holding a scroll over 
the group; blue sky with slight cloud effect. 

Panel. Height, 13% inches; width, 16% inches. 


ATTRIBUTED TO ISENBRANDT 
FLEMISH, 16TH CENTURY 
THE MADONNA WITH THE PAROQUET 


The Virgin is seated holding the Infant with her left hand as she 
opens a book with her right; a parrot is perched on the right while 


two angels playing musical instruments are at the left; landscape - 


in the distance. 
Cradled panel. Height, 252 inches; width, 20% inches. 


ADRIEN VAN OSTADE 


DUTCH, 1610-1685 


PAIR OF HEADS 
Two old cronies smiling at the. spectator; dark background. 
Canvas. Height of each, 5% inches; width, 5 inches. (2) 


20 


Sie eh “j 
<== [SEE ILLUSTRA sagell 7 6 00 


Se ieee cop ee tiawrenit 


Rk eee £5 


SUR LE FALAISE 
BY CLAUDE MONET 


[NUMBER 63 | 


{-figure sar a een fmsotite seated in an Hirrchiatio facie the 
, his right hand placed on an open book, held by the claws of 
wn eagle with a halo. He is attired in a white vestment with 
ck cape, on the table with an Oriental covering an inkwell, 
en and a book are seen; dark neutral background. 

;, Signed, dated and inscribed, Virgin, 1552. Height, 35 
> width, 28 inches. 

artist subsequently became the athe of Lomellini of Genoa. 
‘k met Sofonisba during his Genoese period and his group 
e Lomellini family is in Edinburgh. 


on GIOVANNI PAOLO PANNINI 


ea: ITALIAN, 1695-1768 


a ARCH OF DRUSO : 


+ 


4 FRANCIS COTES, R.A. 


ENGLISH, 1726-1770 


3 io PORTRAIT OF MISS CAMPBELL 

_ Half-length, seated, shoulders to the left, head turned toward the 
spectator, in white lawn, low-cut dress, holding a book; red curtain 
background, with glimpse of landscape and sky at the left. 
Canvas. Height, 31 inches; width, 24% inches. 


FRANCESCO GUARDI 


VENETIAN, 1712-1793 


_ 70 THE PIAZETTA, VENICE FP. Beare Urata 


The small square leading to the grand canal spreads out with the 
Doge’s Palace at the left and the columns of St. Mark and St. 
Theodore at middle ground; groups of citizens in rich attire and of 
the populace of all degrees animate the scene. A number of sails 
and the island of San Giorgio are in the distance; blue sky with 
grey and creamy cloud effects. 

Canvas. Height, 17 inches; width, 33 inches. 


21 


71 


72 


73 


74 


AoW, KOOIMAN | 


CONTEMPORARY DUTCH 


LANDSCAPE WITH CATTLE 


On a meadow three cows and their calves a are pene eibeied in 


the foreground, a winding stream is at the back, animated by a 
boat and figures while a sheep is on the bank nearby; flat distance 
with fine tree groups, grey and creamy sky, pale blue at the top. 


Canvas. Signed at the lower right. Inscription of authenticity on 


the back of the stretcher. Height, 30 inches; width, 40 inches. 


CARLETON WIGGINS, N.A. 


CONTEMPORARY AMERICAN 


CURIOSITY 


A little girl in pink dress is seated in sie field gathering the daisies _ 


about her, to the surprise of four calves, black, brown and spotted, 
who have ventured nearby ; flat country with grey sky with blue and 
silvery touches. pe: 
Canvas. Signed and dated 1883 at the lower left. Height, 23 
inches; width, 35 inches. 

(D’ Aras Collection) 


CHARLES P. GRUPPE 


CONTEMPORARY AMERICAN 


WINTER ALONG THE CREEK 

A rapid-running stream with colorful reflections in the foreground, 
wooded bank mantled with snow at middle distance and on the 
left; creamy and grey sky with touches of orange. 

Canvas. Signed at the lower right. Height, 30 inches; width, 40 
inches. nt | | 


CONSTANT TROYON 


FRENCH, 1810-1865 


¢ 
PLOWING jet try 


Two oxen hitched to a plo sind in the Foley abd as their master 
pauses to aim his gun at a large hare, while restraining his dog; 
grey and creamy sky. 

Canvas. Signed at the lower left. Height, 21 inches; width, 26 
inches. ? 
(Collection of the late Wilmot L. Warren) 


22 


oi in tise i is ated at the left holding a lamp, Love in blue- 
ey is at the right facing to the left as she touches lightly on a 
rp, while Faith in dark green is enthroned, her halo in fine relief 
from her white wings, as her left hand rests on Love’s shoulder, 
her right hand holding her crown in her lap. ; 
- Canvas. Signed and dated 1894 at the upper right. Height, 33 
inches; width, 24 inches. 


THOMAS WEBSTER, R.A. | a 
ENGLISH, 1800-1886 | 


bes IN PORT | 
A couple of trawlers and a Soubeat. a are in the foreground, a man- 
sig -of-war with sails unfurled near the left bank has just fired a 
broadside, other sails and boats about; blue sky with creamy cloud 
effects. si 

Canvas, Signed at the lower right. Height, 30 inches; width, 42 
inches. | ; 


MANNER OF GHIRLANDAJO 


77 PORTRAIT OF A WOMAN 
Bust at profile to the left, of a young Florentine lady of the 15th 
Century; blonde hair in a net with pearls, low gown of red with 
black edging set with small gems; landscape background. 
Panel. Height, 17 inches; width, 1134 inches. 
From the Albert E. Smith Collection. 


. ATTRIBUTED TO MICHEL 


78 LANDSCAPE 
Broken foreground with a fallen tree, fine lofty oaks at the right, 
smiling farm scene at the left middle ground, with a sandy hill 
topped by a mill and cottages in the distance against a slaty grey 
sky with creamy clouds and touches of blue. 
Canvas. Height, 28 inches; width, 36 inches. 


23 


79 


- road, stream of water at the left with a path toward a cottage on a a 
hill farther back; hazy distance with mountains, bale: rcenay, and -@ 


80 


81 


82 


OTTO SOMMER 


AMERICAN, 19TH CENTURY 


LANDSCAPE WITH CATTLE ; 
A number of oxen are coming toward the spectator on a country 


grey sky. | 
Canvas. Signed and dated 1868 at the lower left. Height, 28 


inches; width, 40 inches. 


SCHOOL OF JACOB JORDAENS 


FLEMISH, 17TH CENTURY — 


BACCHUS AND FOLLOWERS 

Three-quarter length figures, the god of wine in the middle, a crown 
of grapes covering his head, as he holds a quantity of the fruit ina 
red mantle, a nymph is at the left and a man with a shell at the oght 
while the head of a panther appears at his side. 

Canvas. Height, 21 inches; width, 1& inches. 


MANNER OF POUSSIN 


ITALIANIZED FRENCH, EARLY 18TH CENTURY 


MONSIGNOR ZONDADERO GIVING HIS BENEDICTION 
TO mre PEOPLE 

The populace gathered in the open under a fine group of trees 
acclaiming a youthful missionary; fine Romanesque town in the 
distance; grey cloudy sky. 

Canvas. Height, 46 inches; width, 58 inches. 

From the Collection of the late Henry Holman Drake. © 


LEONARD BRAMER 


DUTCH, 1596-AFTER 1667 


THE SERENADE 

On the staircase of a mansion a party of musicians is assembled 
while a number of gentle folk appear on the balcony above; creamy 
grey sky at the left. 

Canvas. Signed at the bottom. Height, 68 inches; width, 86 
inches. | hula 


24 


GREE er a heey 
| Sa i oes ya at “ty =e 


CARLETON WIGGINS, N.A. 


CONTEMPORARY AMERICAN 


83 FARM LANE ; 
_. A number of cows, a handsome white beast in the foreground 
- looking at the spectator, are loitering along a path leading from 
the barn; a small pool in the foreground, characteristic tree groups 
in the back; expanse of grey sky at the right. 
Canvas. Signed and dated 1883 at the lower left. Height, 32 
inches; width, 54 inches. — 
(D’Aras Collection) 


AFTER GILBERT STUART 


AMERICAN, EARLY 19TH CENTURY 


84 PORTRAIT OF GEORGE WASHINGTON 

_ In the manner of the Athenzum type, with variations in the back- 
ground; red curtain with a column at the left. 
Canvas. Height, 30 inches; width, 25 inches. 
(Mrs. Gertrude M. Smith Collection) 


JUAN DE LAS ROELAS 


SPANISH, 1558-1625 


85 THE MADONNA OF THE ROSARY 
_. The crowned Virgin is enthroned on a bank of clouds holding the 
Infant and giving rosaries to Saints at either side, attendants at the 
rear with palace and church in the distance. © 
Canvas. Height, 37% inches; width, 48 inches. Carved wood 
_ frame. 


SCHOOL OF MURILLO 


SPANISH, 17TH CENTURY 


86 THE ASSUMPTION OF THE VIRGIN 
Standing on a bank of clouds clothed in white tunic and blue mantle, 
_ wearing an expression of beatitude; numerous cherubs with a palm 
leaf and a lily float gracefully about the foreground, while winged 
cherubim are seen at the upper left and right. 
Canvas. Height, 52 inches; width, 35 inches. Carved wood frame. 


25 


WILLIAM SARGENT KENDALL, N.A. | 


CONTEMPORARY AMERICAN 


87 ON THE STAIRWAY — 
Two girls attired in becoming ak e Co are seated onla stair- 


way leading from the nursery to the garden, busying i, aaa see 
with books and toys while a dog lies at their side. | 
Canvas. Signed and dated 1906 at the lower left. Height, 49 
| rf Ss inches; width, 27 inches. | 

; From the Collection of Mrs. Roland C. Lincoln of Boston, whe 
purchased it from the artist. 


EMIL CARLSEN, N.A. 


CONTEMPORARY AMERICAN 


88 STILL LIFE, WILD FOWL | 
Four ducks are arranged on a table, a copper iatile and. an ies 
ob vessel supply the color contrasts to the delicate grey and white of 
it the birds; simple background. : 
Canvas. Signed and dated 1897 at the lower left. Height, 28 
inches; width, 41 wches. ae 
From a private collector, who purchased it from the artist. 


LEON BAZILE PERRAULT 


FRENCH, 1832- ? | 
89 ORPHANS AM. “+. OPN se | 
A girl in peasant attire is seated on the stoop to the entrance of ; 
a mansion, and looks wistfully at the spectator as the child in her 
us Ls ‘ arms sleeps peacefully. 


Canvas. Signed and dated 1900 at the lower right. Height, 49 
inches; width, 36 inches. 


WILLIAM CLARKSON STANFIELD, R.A. 


ENGLISH, 1792-1867 


90 FRENCH FISHING BOATS 
Several trawlers are buffeted about on a high sea, while a number 
of passengers and their belongings are in a small boat nearby try-— 
ing to embark on the nearest vessel, which is very picturesque with 
its brown patched sail and its pennant aloft in the breeze; effective 
sky of buff and grey clouds. 
Canvas. Height, 27 inches; width, 35 inches. 
From the R. C. MacKay Collection. 


26 i 


ise BES eh 


if A. M. GORTER- 

Hy : 4 "CONTEMPORARY DUTCH 

a. 9 BEECH LANE | 

1 «tee A road with a figure beside a canal, lined bey several fine beeches in 
i _. slender foliage raising their lofty branches over a fleeting sky of 
'  ~—_s grey and silvery clouds, with nice touches of blue. 
) ~~~ Canvas. Signed at the lower right. Height, 30 inches; width, 22 

i) ee inches. 


J. CAROLUS 


GERMAN, 19TH CENTURY 


92 THE GAME OF CHESS 
A distinguished company in 18th Century costume, partly seated, 
are interested as two of their number engage in the play; fine in- 
terior. 
Canvas. Signed and dated 1872 at the lower left. Height, 32 
inches; width, 42 inches, — 
(Hanover Club Collection) 


PIETER VAN BREDAEL 


FLEMISH, 1622-1719 


93 ROMAN RUINS 
View of an Italian village, the foreground occupied by a large 
group of Roman ruins, through the arches of which passes a pro- 
cession of peasant wagons, cattle and mounted figures, presumably 
arriving for the village fair. 
Canvas. Inittalled to the left and dated 1710. Height, 33 inches; 
width, 39 inches. 
Pieter van Bredael was occupied chiefly in painting old Roman 
architecture. Examples by him are at the Bruges Academy and 
the Hague Gallery. 


27 


FRANCESCO GUARDI 


VENETIAN, 1712-1793 


94 PAIR OF VENETIAN VIEWS 


95 


a. A canal with two bridges, a monastery wall at the right, many 
figures about; a flag at middle distance in nice design over a 
blue sky with slight cloud effect. 

b. A quay with an old arch at the left, the lagoon at the right, 
a couple of small boats unloading merchandise at middle dis- 
tance, figures about; blue sky with slight cloud effect. 

Canvas. Height of each, 834 inches; width, 13 inches. (2) 


LOUIS LE NAIN 


FRENCH, 1593-1648 


THE FAMILY GATHERING 3 

An old lady is seated at the left, looking toward the spectator, 
while an old man next to her plays a flute, the remains of a repast 
being on the table before him; a young woman holds her baby 
at the right and several children: a dog and a cat complete the 
picture in a humble interior. 

Canvas. Height, 23 inches; width, 27 inches. 


J. N. SARTORIUS 


ENGLISH, 1755-1828 


g54 IRIS 


Chestnut horse, a favorite hackney of Robert Henson Esq. of Bairs- 
ton, Northamptonshire; grey cloudy sky with touches of blue. 
Canvas. Signed and dated 1802 at the lower right. Height, 28 
inches; width, 36 inches. 


J. N. SARTORIUS 


- ENGLISH, 1755-1828 


958 CALISH AND FOAL 


Fine chestnut mare and young horse in clearing with landscape 
background. 


Canvas. Signed and dated 1791 at the lower right. yt 28 
inches; width, 36 inches. , 


28 


J. POLLARD 


ENGLISH, EARLY 19TH CENTURY 


95c THE EDINBORO EXPRESS 

‘A mail coach drawn by four fine horses, about a dozen passengers 
mounted on the top, a mansion and the Scotch hills in the distance; 
blue sky with flaky cloud effects. | 
Canvas. Signed and dated 1819 at the lower left. Height, 28 
inches; width, 34 mches. 


JULIAN RIX 


AMERICAN, 1851-1903 


96 APPROACHING STORM 
Flat expanse with three groups at the right; blue sky with grey 
and creamy cloud effects. , 
: Canvas. Signed at the lower right. Height, 21% inches; width, 
_ * 29: inches. 


ALBERTO PASINI 


ITALIAN, 1826-1899 


97 ARAB CAVALCADE 
3 A number of notables seated under canopies on camels’ backs are 
biog being escorted by mounted soldiers; colorful costumes, flat desert 
with simple blue sky. 
Canvas. Signed and dated 1864 at the lower left. Height, 22 
inches; width, 23 inches. | 
_ (Mrs. C. S. Boker Collection) 


ARTURO RICCI 


ITALIAN, 19TH CENTURY . 


__- 98 THE TOAST Vai p oan OT Ks! 
4.8. A merry party has been dining, some of whom have left the table 


to accompany the newly married couple to the door as they lift 
their glasses; rich 18th Century costumes, sumptuous interior. 
Canvas. Signed at the lower left. Height, 26% inches; width, 36 
‘= °°. inches. | 

a (Mrs. C. S. Boker Collection) 


29 


7 


100 


ANS SUE TED PTS Sty oy 1 SS Rae 
(os RRR, a? Ae a 


; Apes os 


ALBERT RIEGER 


GERMAN, 19TH CENTURY 


SWISS MOUNTAIN SCENE 


A rushing torrent between lofty crags with snow-tipped peaks i in : 


the distance; grey sky with touches of blue. 
Canvas. Signed at the lower right. Height, 48 inches; width, 


35% inches. 
(Mrs. C. S. Boker Collection) 


CHARLES P. GRUPPE 


CONTEMPORARY AMERICAN 


PREPARING HIS COFFEE 
An old peasant is seated with a hand-mill between his knees, his 


‘clay pipe in his mouth as he grinds the beans, while a loaf, a 


jug, etc. are on the table, under which a cat is lapping milk from 


a saucer; humble interior. 


IOI 


102 


Canvas. Signed at the lower right. Height, 33 inches; width, 27 
inches. } 


AUGUSTE F. A. SCHENCK 


GERMAN, 1828-1900 


THE STORM 7 

A group of long-wooled sheep are huddled ogeldion heonataried 
in the foreground, while another group and a dog are at the left 
middle distance and the shepherd is at the back; mountainous peaks, 
partly enveloped, in the distance, stormy sky. 

Canvas. Signed at the lower right. Height, 25 inches; aldih. 37 
inches. 


B. HESS 


AMERICAN, 19TH CENTURY 


LANDSCAPE 
Foreground with bushes and a tree with scant foliage, a couple of 


_ cows and a calf nearby, various fields laden with ripe golden grain 


with farmhouses at middle distance, vast vista with hills and a 
zigzagging stream; pale orange sky turning to pale blue at the top 
with slight cloud effects. 

Canvas. Signed at the lower right. Height, 40 inches; width, 54 
inches. | | 


30 


DUVAL 


FRENCH, 19TH CENTURY 


4g 103 VIEW IN A MUSEUM 


A long gallery ornately decorated showing glass cases containing 
works of art. 


- Canvas. Signed and dated 1888 at the lower right. Height, 251% 
_tmches; width, 32 inches. 


CHARLES LOUIS KRATKE 


FRENCH, 1858- 


“NOVEMBER 1812” 
The Emperor afoot is seen in the foreground leading his army in 


_ the retreat from Moscow across a snow-swept plain toward the 


Berezina River; slaty grey sky. 

Canvas. Signed and dated 1892 at the lower right. Height, 46 
inches; width, 79 inches. 

The artist was inspired by Segur’s History of his Campaign. For 
the face of the Emperor he used the mould mask taken at 
St. Helena. Among the Generals represented are Prince Eugene, 
Davout, Ney and Eble. 

Exhibited at the Paris Salon, 1892. 

From the Patrick A. Valentine Collection. 


VOGLER 


GERMAN, 19TH CENTURY 


THE PRAYER 
A blonde-haired young woman in dark garments kneels in a stall, 
holding her rosary in her clasped hand, her prayer book in front 


_of her, as she looks pleadingly toward the spectator ; church interior. 
_ Canvas. Signed and dated 1884 at the lower left. Height, 35 


106 


inches; width, 25 inches. 


ITALIAN 


17TH CENTURY 


EUROPA AND THE BULL 

Jupiter in the shape of a bull has enticed the unsuspecting Europa 
to mount him, while female attendants and cupids wind garlands 
about the head of the animal; the god of love is aiming his shaft at 
the goddess from above. 

Canvas. Height, 40 inches; width, 30 inches. 


31 


107 


108 


109 


Iio 


ALBERT BIERSTADT, N.A. 
AMERICAN, 1830-1902 
SIERRA NEVADA, MORNING 


In the foreground.a silvery river passes, on the banks. of na Ye a 
stag and two does are seen, fine tree groups about, with the. jagged 


peaks of the great mountain range rising in majestic aenenets, rs 


penetrating the clouds that pass. 


Canvas. Signed at the lower right. Height, 56 inches; dete 85 


inches. 

Painted 1879 for the late Robert Graves. 

From the Graves Sale, 1887. 

From the Estate of the Hon. Henry Hilton, 1914. 

Exhibited for a number of years in the National Gallery, Wash- 
ington, D. C. 


M. F. H. DE HAAS, N.A. 


AMERICAN, 1832-1895 


MOONRISE, NEWFOUNDLAND COAST 

A schooner is navigating near some rocky projections in the middle 
distance, while a steamer and several sails are in the offing. The 
full disc of the moon is well above the horizon; warm cloud effects. 
Canvas. Signed at the lower right. Height, 30 inches; width, 40 
inches. 

(Hanover Club Collection) 


EUGENE VON BRETT 


CONTEMPORARY GERMAN 


MENDING NETS 

Three mischievous young women, one looking after some nets, while 
an old salt joints in the merriment; an elderly woman of serious 
mien is seen on a stairway at the right. 

Canvas. Signed at the lower right. Height, 20 inches; width, 30 
inches. 


TOMAS W. DEWING, N.A. 


CONTEMPORARY AMERICAN 


DECORATIVE STUDY 

A blonde young woman in wine-colored gown is seated before a 
spinning wheel; green curtain background. 

Canvas. Height, 42 inches; width, 54 inches. 


32 


2 ane Emery Collection. 


THOMAS COLE, N.A. 


AMERICAN, 1801-1848 


2 THE TEMPLE OF SEGESTA 

___A river passes between hills crowned with ruins of palaces and 

_ temples while ancient aqueducts wind close to its banks; natives in 

_ picturesque costume are about, two of whom are dancing. Blue 
sky with pink cloud effects. ene 
_ Canvas. Signed at the lower right. Height, 32 inches; width, 48 
_ inches. 4 

* _ From the W. H. Payne Collection, New York City. 


RUIZ LUNA 


SPANISH, 19TH CENTURY 


13 a. FEEDING THE POOR AT THE MONASTERY 
Canvas. .Signed. Size, 20 x 39% inches. 


THEODORE GERNO 


ITALIAN, 19TH CENTURY 


b. THE FAVORITE SCHOLAR 
Canvas. Signed. Size, 25 * 17% inches. (2) 
(Hanover Club Collection) 


33 


OFF THE DUTCH COAST 
Canvas. ee. and our bie Size, ae 
aged) | ratat 


GERMAN, 19TH CENTURY 


b. COAST SCENE 
Canvas. Signed. Size, 40 x 33 inches. @ 
Se eect Club aunts Sie : 


ae ; +] rieaT 
AF TER MICHAEL ANGELO ay 


ITALIAN, 17TH CENTURY sia, 


115 THE PROPHET OQ WO a 
Bae. Three-quarter figure seated, with a red mantle thrown. ove 
; _ brawny shoulders, reading a book with a | crucifix at ‘the left; t; 1 
scape background. sift 
Canvas. Height, 39 imches ; width, 32 inches. 


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